With the greatest pleasure we announce that 24 January will see the 10th Dead Ladies Show, which will both explore new territory and revisit more familiar dead ladies of yore. For this august occasion, dedicated to the lives of Claire Waldoff, Lucia Berlin and Dorothy Parker, the Literary Colloquium Berlin will open its hallowed halls to celebrate three admirable women of yesteryear. PLUS our show kicks off a special exhibition by our friend Martina Minette Dreier spotlighting dead lady artists. A real special snowflake of a hum-dinging Dead Ladies Show, in other words.
Your beloved hosts will return to two of their absolute favourites, writer Dorothy Parker and singer Claire Waldoff. (Only we’ll be doing it better this time.) Then we have one of Berlin’s best writer-translators, Antje Rávic Strubel, to introduce a rediscovered mistress of the short story, Lucia Berlin. All wrapped up by a special guest performance by the wonderful Sigrid Grajek, chanteuse extraordinaire, with live piano accompaniment.
For one night only, and an entry fee of €8/€5, please join us on the shores of the Wannsee for entertainment, enlightenment, art, song, literature, socializing, food, drinks of both persuasions, and three fabulous dead dames. If ever there was an occasion that called for overdressing, this is it – but, of course, feel free to wear any old thing as long you as make the journey out west to help us celebrate!
Does DOROTHY PARKER even need an introduction? Everyone’s favourite witty woman gave us poetry, criticism, short stories, satire – and screenplays, until she made it onto everyone’s favourite blacklist for her political activities. Never out of print to this day, she was one of the original members of the board of the New Yorker in 1925. This was a lady so cool she bequeathed her estate to Martin Luther King. Florian Duijsens has been studying her life for years, ready to give us all the juicy details in English.
LUCIA BERLIN has been making posthumous waves after a selection of her stories hit the New York Times bestseller list in its second week of publication two years ago. Growing up in mining camps and working as a cleaning woman and switchboard operator, among other jobs, Berlin raised four sons and struggled with her health – all the while writing eight volumes of short stories and eventually teaching creative writing. Her work garnered huge critical acclaim but little financial success, so her rediscovery is a vindication of sorts. Antje Rávic Strubel recently translated her selected stories and gives us the low-down in German.
In 1906, singer CLAIRE WALDOFF pawned her gold watch and moved to Berlin to become a star, and that’s just what she did. A truly beloved icon with her own street name, she’s still remembered for her comic songs and for appearing on stage in trousers. She coyly chronicled lesbian life in Weimar-era Berlin in her autobiography, learned the local dialect from painter Heinrich Zille, helped out a young Marlene Dietrich, and portrayed strong working-class women with a risqué sense of humour. Katy Derbyshire introduces her in English, with live renderings by Sigrid Grajek.
The show also sees the opening of an exhibition by MARTINA MINETTE DREIER, entitled “I am no bird, no net ensnares me” and depicting her ancestors from art history, portraits of women scratched out of old wood with ballpoint accents. Dreier’s sketches of writers from the LCB’s “Sensitivities” festival will be on display as well – along with one very special portrait of a living lady.